Four-Wing System
Four-Wing System, originally labelled FW, is Study 11 in Riccardo Zerbinati’s Strange Attractors collection. The artwork develops a three-dimensional trajectory into a swept surface, then into a digital composition of material and light. Explore the creative process behind this mathematical sculpture below.

Four-Wing System equations
This three-dimensional reference model couples its coordinates through the products yz, xz and xy. The published coefficient set below produces a four-wing chaotic attractor. In the artistic process, a sampled trajectory becomes the rail for a swept cross-section.
Here, t is time; x, y and z are state variables; and a, b, c, d, e and f are fixed coefficients. These reference equations match the formulation selected by the artist for this page. The coefficients shown are the published reference values, not a recovered record of the Grasshopper settings used to create Study 11. The component’s internal parameter mapping, original initial conditions and integration settings have not yet been verified.
Formula reference: Wang et al., A 3-D four-wing attractor and its analysis (2009), system (6).
From a trajectory to Four-Wing System art
Riccardo develops the rail in Grasshopper for Rhinoceros using Chimpanzee. The system evolves over time, producing successive three-dimensional points. Connecting those samples creates a path. A cross-section is then swept along that rail, giving the line thickness and a surface. This is how a time-dependent mathematical trajectory becomes visible as sculptural geometry.
The sweep adds a visual layer to the mathematics: its width and orientation affect how the form catches light. Riccardo then uses 3ds Max to develop the material, camera and illumination. The finished work is a digital render of this geometry, rather than a photograph of a fabricated object. No generative AI is used to create the artwork.
To read the image, follow a single edge as it moves through light and shadow. Notice where the projected path overlaps, opens or disappears behind another surface. The rail comes from a rule evolving through time; the artist’s composition lets us experience that motion as a still image. The aim is to reveal the hidden beauty of chaos theory.
A study in form
The piece is approached as a form to observe from more than one imagined angle. The sculptural language of the collection lets mathematical inspiration meet material appearance: a digital object with the cool presence of metal, held against a simple background. The image leaves room for curiosity without presenting an invented scientific explanation.
Created by Riccardo Zerbinati through parametric modelling in Rhinoceros and rendering in 3ds Max, this work belongs to a collection developed through a human-led digital process, without generative AI.
Enquire about this artwork
Availability, edition and format can be discussed individually. Send an enquiry to ask about this study; no price or edition is listed until confirmed.
